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This could be 40X better. The first form is the "circle show". It tends to gather a crowd, usually has a distinct beginning and end, and is done in conjunction with street theatre , puppeteering , magicians , comedians , acrobats, jugglers and sometimes musicians.

This type has the potential to be the most lucrative for the performer because there are likely to be more donations from larger audiences if they are entertained by the act.

Good buskers control the crowd so patrons do not obstruct foot traffic. The second form, the walk-by act , has no distinct beginning or end.

Typically, the busker provides an entertaining ambience, often with an unusual instrument, and the audience may not stop to watch or form a crowd.

Sometimes a walk-by act spontaneously turns into a circle show. This type of act occasionally uses public transport as a venue. Parades are held for a range of purposes, often more than one.

Whether their mood is sombre or festive, being public events that are designed to attract attention and activities that necessarily divert normal traffic, parades have a clear entertainment value to their audiences.

Cavalcades and the modern variant, the motorcade , are examples of public processions. Some people watching the parade or procession may have made a special effort to attend, while others become part of the audience by happenstance.

Whatever their mood or primary purpose, parades attract and entertain people who watch them pass by. Occasionally, a parade takes place in an improvised theatre space such as the Trooping the Colour in 8 and tickets are sold to the physical audience while the global audience participates via broadcast.

They presented conquered peoples and nations that exalted the prestige of the victor. Julius Caesar chose to celebrate four triumphs held on different days extending for about one month.

The annual Lord Mayor's Show in London is an example of a civic parade that has survived since medieval times.

Many religious festivals especially those that incorporate processions , such as Holy Week processions or the Indian festival of Holi have some entertainment appeal in addition to their serious purpose.

Sometimes, religious rituals have been adapted or evolved into secular entertainments, or like the Festa del Redentore in Venice, have managed to grow in popularity while holding both secular and sacred purposes in balance.

However, pilgrimages , such as the Christian pilgrimage of the Way of St. James , the Muslim Hajj and the Hindu Kumbh Mela , which may appear to the outsider as an entertaining parade or procession, are not intended as entertainment: Hence, the relationship between spectator and participant, unlike entertainments proper, is different.

Parades generally impress and delight often by including unusual, colourful costumes 7, Sometimes they also commemorate 5 , 8 or celebrate 1 , 4, 6, 8 , 9.

Sometimes they have a serious purpose, such as when the context is military 1 , 2 , 5 , when the intention is sometimes to intimidate; or religious, when the audience might participate or have a role to play 6 , 7, Even if a parade uses new technology and is some distance away 9 , it is likely to have a strong appeal, draw the attention of onlookers and entertain them.

Fireworks are a part of many public entertainments and have retained an enduring popularity since they became a "crowning feature of elaborate celebrations" in the 17th century.

First used in China, classical antiquity and Europe for military purposes, fireworks were most popular in the 18th century and high prices were paid for pyrotechnists , especially the skilled Italian ones, who were summoned to other countries to organise displays.

Birthdays, name-days, weddings and anniversaries provided the occasion for celebration. Aside from their contribution to entertainments related to military successes, courtly displays and personal celebrations, fireworks are also used as part of religious ceremony.

For example, during the Indian Dashavatara Kala of Gomantaka "the temple deity is taken around in a procession with a lot of singing, dancing and display of fireworks".

The "fire, sudden noise and smoke" of fireworks is still a significant part of public celebration and entertainment. For example, fireworks were one of the primary forms of display chosen to celebrate the turn of the millennium around the world.

As the clock struck midnight and became , firework displays and open-air parties greeted the New Year as the time zones changed over to the next century.

Sporting competitions have always provided entertainment for crowds. To distinguish the players from the audience, the latter are often known as spectators.

Developments in stadium and auditorium design, as well as in recording and broadcast technology, have allowed off-site spectators to watch sport, with the result that the size of the audience has grown ever larger and spectator sport has become increasingly popular.

Two of the most popular sports with global appeal are association football and cricket. Their ultimate international competitions, the World Cup and test cricket , are broadcast around the world.

Beyond the very large numbers involved in playing these sports, they are notable for being a major source of entertainment for many millions of non-players worldwide.

Aside from sports that have world-wide appeal and competitions, such as the Olympic Games , the entertainment value of a sport depends on the culture and country where people play it.

For example, in the United States, baseball and basketball games are popular forms of entertainment; in Bhutan, the national sport is archery; in New Zealand, it is rugby union ; in Iran, it is freestyle wrestling.

Japan's unique sumo wrestling contains ritual elements that derive from its long history. The evolution of an activity into a sport and then an entertainment is also affected by the local climate and conditions.

For example, the modern sport of surfing is associated with Hawaii and that of snow skiing probably evolved in Scandinavia.

While these sports and the entertainment they offer to spectators have spread around the world, people in the two originating countries remain well known for their prowess.

Sometimes the climate offers a chance to adapt another sport such as in the case of ice hockey —an important entertainment in Canada. Fairs and exhibitions have existed since ancient and medieval times, displaying wealth, innovations and objects for trade and offering specific entertainments as well as being places of entertainment in themselves.

By the 19th century, "expos" that encouraged arts, manufactures and commerce had become international. They were not only hugely popular but affected international ideas.

For example, the Paris Exposition facilitated international cooperation about ideas, innovations and standards. From London to Paris , "in excess of million visitors had entered the turnstiles in London, Paris, Vienna, Philadelphia, Chicago and a myriad of smaller shows around the world.

Ball pit of the type provided for children's entertainment in shopping malls. Some entertainments, such as at large festivals whether religious or secular , concerts, clubs, parties and celebrations, involve big crowds.

From earliest times, crowds at an entertainment have associated hazards and dangers, especially when combined with the recreational consumption of intoxicants such as alcohol.

The consequence of excess and crowds can produce breaches of social norms of behaviour, sometimes causing injury or even death, such as for example, at the Altamont Free Concert , an outdoor rock festival.

The list of serious incidents at nightclubs includes those caused by stampede ; overcrowding; terrorism, such as the Bali bombings that targeted a nightclub; and especially fire.

Investigations, such as that carried out in the US after The Station nightclub fire often demonstrate that lessons learned "regarding fire safety in nightclubs" from earlier events such as the Cocoanut Grove fire do "not necessarily result in lasting effective change".

The tourism industry now regards safety and security at entertainment venues as an important management task.

Although kings, rulers and powerful people have always been able to pay for entertainment to be provided for them and in many cases have paid for public entertainment, people generally have made their own entertainment or when possible, attended a live performance.

Technological developments in the 20th century meant that entertainment could be produced independently of the audience, packaged and sold on a commercial basis by an entertainment industry.

The film industry is a part of the entertainment industry. Components of it include the Hollywood [] and Bollywood [] film industries, as well as the cinema of the United Kingdom and all the cinemas of Europe , including France , Germany , Spain , Italy and others.

Amusement parks entertain paying guests with rides , such as roller coasters , ridable miniature railways , water rides , and dark rides , as well as other events and associated attractions.

The parks are built on a large area subdivided into themed areas named "lands". Sometimes the whole amusement park is based on one theme, such as the various SeaWorld parks that focus on the theme of sea life.

One of the consequences of the development of the entertainment industry has been the creation of new types of employment.

While jobs such as writer , musician and composer exist as they always have, people doing this work are likely to be employed by a company rather than a patron as they once would have been.

New jobs have appeared, such as gaffer or special effects supervisor in the film industry, and attendants in an amusement park.

Prestigious awards are given by the industry for excellence in the various types of entertainment. Sporting awards are made for the results and skill, rather than for the entertainment value.

Packaged entertainment 35mm film reels in boxes. Purpose-built structures as venues for entertainment that accommodate audiences have produced many famous and innovative buildings, among the most recognisable of which are theatre structures.

In modern times, some of the grandest buildings for entertainment have brought fame to their cities as well as their designers. The Bayreuth Festspielhaus in Germany is a theatre designed and built for performances of one specific musical composition.

Two of the chief architectural concerns for the design of venues for mass audiences are speed of egress and safety.

The speed at which the venue empty is important both for amenity and safety, because large crowds take a long time to disperse from a badly designed venue, which creates a safety risk.

The Hillsborough disaster is an example of how poor aspects of building design can contribute to audience deaths. Sightlines and acoustics are also important design considerations in most theatrical venues.

In the 21st century, entertainment venues, especially stadia, are "likely to figure among the leading architectural genres". Architects who push the boundaries of design or construction sometimes create buildings that are entertaining because they exceed the expectations of the public and the client and are aesthetically outstanding.

Buildings such as Guggenheim Museum Bilbao , designed by Frank Gehry , are of this type, becoming a tourist attraction as well as a significant international museum.

Other apparently usable buildings are really follies , deliberately constructed for a decorative purpose and never intended to be practical.

On the other hand, sometimes architecture is entertainment, while pretending to be functional. The tourism industry, for example, creates or renovates buildings as "attractions" that have either never been used or can never be used for their ostensible purpose.

They are instead re-purposed to entertain visitors often by simulating cultural experiences. Buildings, history and sacred spaces are thus made into commodities for purchase.

By the second half of the 20th century, developments in electronic media made possible the delivery of entertainment products to mass audiences across the globe.

The rapid development of entertainment technology was assisted by improvements in data storage devices such as cassette tapes or compact discs , along with increasing miniaturisation.

Computerisation and the development of barcodes also made ticketing easier, faster and global. In the s, radio was the electronic medium for family entertainment and information.

In combination with products from the entertainment industry, all the traditional forms of entertainment became available personally. People could not only select an entertainment product such as a piece of music, film or game, they could choose the time and place to use it.

The "proliferation of portable media players and the emphasis on the computer as a site for film consumption" together have significantly changed how audiences encounter films.

As an example of speed of change driven by electronic media, over the course of one generation, television as a medium for receiving standardised entertainment products went from unknown, to novel, to ubiquitous and finally to superseded.

The so-called " digital revolution " has produced an increasingly transnational marketplace that has caused difficulties for governments, business, industries, and individuals, as they all try to keep up.

At the same time, the ongoing need for entertainers as "professional engagers" shows the continuity of traditional entertainment. By the second decade of the 21st century, analogue recording was being replaced by digital recording and all forms of electronic entertainment began to converge.

Media convergence is said to be more than technological: The introduction of television altered the availability, cost, variety and quality of entertainment products for the public and the convergence of online entertainment is having a similar effect.

For example, the possibility and popularity of user-generated content, as distinct from commercial product, creates a "networked audience model [that] makes programming obsolete".

While technology increases demand for entertainment products and offers increased speed of delivery, the forms that make up the content are in themselves, relatively stable.

Storytelling, music, theatre, dance and games are recognisably the same as in earlier centuries. From Wikipedia, the free encyclopedia.

For other uses, see Entertainment disambiguation. Audience applauding a performance of Cavalleria Rusticana by Pietro Mascagni The past gives us pleasure and is of more service than the present; but the delight of what we once felt is dimly lost never to return and its memory is as distressing as the events themselves were then delectable But when we happen to put our thoughts in writing, how easily, later on, does our mind race through an infinity of events, incessantly alive, so that a long time afterwards when we take up those written pages we can return to the same place and to the same disposition in which we once found ourselves.

I became accustomed to reading [novels] and that small fault made me cool my desire and will to do other tasks.

I thought nothing of spending many hours a day and night in this vain exercise, hidden from my father. My rapture in this was so great, that unless I had a new book to read, it seemed to me that I could not be happy.

Telling stories via Wayang golek puppets in Java. Crowd watches a bullfight in Mexico, Fair and World's fair.

Ticket showing electronic barcode Valencia, Arthur Sullivan on recording music. But all the same, I think it is the most wonderful thing that I have ever experienced, and I congratulate you with all my heart on this wonderful discovery.

It also provides words like "merry-making", "pleasure", "delight", as well as "to receive as a guest and show hospitality to". It cites a usage by William Caxton.

Lawrence Erlbaum Associates, Inc. Influences, Impacts, and Innovations Google eBook 2nd ed. Media Entertainment — the psychology of its appeal.

The Psychology of Entertainment Media 2nd ed. Entertainment-Education and Social Change: History, Research, and Practice.

Digital Games and Learning. Continuum International Publishing Group. The Matrix and Philosophy. Philosophy and the Novel. The Pocket Essential Hitchhiker's Guide 2nd ed.

Philosophy and The Hitchhiker's Guide to the Galaxy. Houndmills, Basingstoke, Hampshire; New York: The influence of storytelling on pre-service students' attitudes and intentions MSc Thesis.

Decameron and the Philosophy of Storytelling: Author as Midwife and Pimp. New York; Chichester West Sussex: A Splintered History of Wood.

Life, Death, and Entertainment in the Roman Empire. University of Michigan Press. European Culture in the Great War: The Arts, Entertainment and Propaganda, — Heinrich, Entertainment, propaganda, education: University of Hertfordshire Press.

When this bloody war is over: Leisure Activities at the End of the Tsarist Era. Servants of the Dynasty: Palace Women in World History. University of California Press.

Lives of the Indian Princes. Perspectives on Korean Dance. Varieties of Experience — Sudanese Slit Drum Transcript ".

History of the World in Objects. Retrieved 6 February A History of the World in objects. The Politics of the Stuart Court Masque.

Schnitzler's Century — The making of middle-class culture — Pantomime and Entertainment, — The Johns Hopkins University Press.

Developmental Psychology in Historical Perspective. Malden, Massachusetts; Oxford, UK: The ecology of imagination in childhood. Last Child in the Woods: Chapel Hill, North Carolina: Algonquin Books of Chapel Hill.

Retrieved 29 November A concise history of western music. The Book of Games: Sterling Pub Co Inc. London, California, New Delhi: Korea's Online Gaming Empire.

Massachusetts Institute of Technology. A history of reading. Superhero comics of the Golden Age: The Gospel According to Peanuts. The comic mode in English literature: The Hollywood romantic comedy: The Idea of Comedy: Rosemont Publishing and Printing Corp.

The English clown tradition from the middle ages to Shakespeare. Woodbridge Suffolk, Rochester, New York: The Cambridge introduction to Shakespeare's comedies.

The role of the chou "clown" in traditional Chinese drama: A Geographic and Historical Guide. Storytelling in Japanese Art. Metropolitan Museum of Art.

The Arabian nights and orientalism: A plain and literal translation of the Arabian nights' entertainments: The Arabian nights in English literature: Hawaiian Myths of Earth, Sea, and Sky.

University of Hawaii Press. The Cambridge companion to Greek and Roman theatre. Uses editors parameter link p. The Cambridge History of British Theatre.

Cambridge University Press 3 volumes. Stage and State in Revolutionary Russia, — Popular Culture and Performance in the Victorian City.

The dance of the comedians: University of Massachusetts Press. The First World War and popular Cinema.

The world history of animation. The sword giveth again". The Sydney Morning Herald. Retrieved 30 March Hit off the old block".

A History of Shakespeare on Screen: A Century of Film and Television. Moments of brilliance but can't shake sinking feeling".

A Dance History Reader. The history of dance. An Analysis of Country Dancing. A Dance with Jane Austen: The Treasures of Terpsichore: Sherwood, Neely and Jones.

Dancing at the Crossroads: Memory and Mobility in Ireland. German Modern Dance and the Third Reich. Translated by Jonathan Steinberg English language ed.

Cabaret Culture and Urban Politics, — Sha Tin, Hong Kong: The Chinese University of Hong Kong. Motion Picture Censorship, — University of Missouri Press.

Inside Hunting and Animal Rights Controversies. The University Press of Kentucky. Circus History and Representation. Victorian sensation, or, The spectacular, the shocking, and the scandalous in nineteenth-century Britain.

Bailey Brothers and Swinfen Reprint. Retrieved 27 February Newton Abbot; North Pomfret, Vermont: The Politics and Emotions of Civil War.

The Kumbh Mela in Allahabad, — History of My Life, Volumes 9—10 Vol Johns Hopkins University Press. Alchemy, Bombards, and Pyrotechnics: The History of the Explosive that Changed the World.

A Social History of Germany — Water Music and Music for the Royal Fireworks. History of Indian Theatre vol. Shakti Malik Abhinav Publications. Mullin, Bernard James, ed.

The Tour de France: Berkeley, Los Angeles, London: The World Fairs — National Gallery of Victoria. Shopping as an Entertainment Experience. Lanham, Maryland; Plymouth, UK: Chicago Illinois Institute of Technology.

Retrieved 15 November Histories of Women and Gender at World's Fairs. University of Chicago Press. An Introduction to the Entertainment Industry.

Key issues in the arts and entertainment industry. The Business of Entertainment. Greenwood Publishing Three Volumes. Retrieved 28 April The Library of Alexandria.

The American University in Cairo Press. Medina; McLaren, Brian Perception, Performance and Place English ed. The early history of radio:

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